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I'll Be Seeing You
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IllBeSeeingYou.newXat.jpg



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Guru

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Date:
"I'll Be Seeing You"
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"I'll Be Seeing You"  - this memorable song was written in 1938 for a short-lived American, New York Broadway show. Below is some information from the Web:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"I'll Be Seeing You" is a popular song from the Broadway musical Right This Way, which closed after fifteen performances. Its music was written by Sammy Fain, the lyrics by Irving Kahal. The song was published in 1938. The musical theme has emotional power, and was much loved during World War II. The lyrics begin, in Ambrose's recorded version, with a preamble:

Cathedral bells were calling and our hearts sang on;
Was it the spell of Paris or the April dawn?
Who knows if we shall meet again,
But when the morning chimes ring sweet again,
I'll be seeing you in all the old familiar places...

As the song develops, the words take a jaunty commonplace of casual farewell and transform it by degrees, to climax with

"...and when the night is new,
I'll be looking at the moon,
But I'll be seeing you
."

The resemblance between the main tune's first four lines and a passage within the theme of the last movement of Gustav Mahler's Third Symphony (1896) was pointed out by Deryck Cooke in 1970[1]

Featured throughout the 1944 movie also titled I'll be Seeing You, starring Ginger Rogers and Joseph Cotten, the recording by Bing Crosby became a hit that year, being number one for the week of July 8.

---------------------------------------------------

The song was also memorably sung by England's Vera Lynn and would have had extra emotion because of the Second World War (1939 - 1945). 

In 1952, for his radio programme, Mario Lanza (who had starred in the wonderful film, "The Great Caruso" in 1951) recorded the song, as you can hear via the link below at the foot of this posting:

THEGREATCARUSOcover.jpg

 



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Guru

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Date:
"You and the Night and the Music"
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From the Web (WIKI):

"You and the Night and the Music" is a popular song composed by Arthur Schwartz with lyrics by Howard Dietz.

The song was debuted in the Broadway show Revenge with Music. The show originally opened on November 28, 1934, ran for 22 performances, after which it closed. It then reopened on December 24, 1934, and ran for an additional 135 performances.

Authors Caryl Brahms and Ned Sherrin, in their book Song by Song: 14 Great Lyric Writers, say that ...the musical yielded two enduring hits and a profit although it was an artistic failure.

The song has since become an enduring jazz standard.
----------------------------------------------------------------------

and here is the magnificent singer/filmstar Mario Lanza again to sing it for you. You will not see his likes again.



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Guru

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Date:
"Blue Eyes"
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"Blue Eyes" - the song
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Lea's lovely blue eyes and this gentle ballad, which was composed by Elton John (Music) - now Sir Elton John - and Gary Osborne (Words) in 1982  - see Gary Osborne's own posting on "You Tube" below earlier this year,...

Many thanks to all of you for your kind comments about Blue Eyes which Elton and I wrote in 1982. And yes ..,. it WAS dedicated to Vance Buck who was jumping up on the cover of Jump Up. The little boy also jumping up on the cover (wearing Watford colours) is my son Luke who is now 34. Best wishes to you all, Cheers Gary O

You can hear the song at:



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Guru

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Date:
"Today, Tomorrow And Forever"
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TodayTomorrowandForever copy.jpg

"Today, Tomorrow And Forever" recorded for the movie "Viva Las Vegas" (1964).

From the Web:
Viva Las Vegas
, from 1964, is an American romantic musical movie that co-starred the singer and actor Elvis Presley and the actress and dancer Ann-Margret. This movie is regarded by many fans of these actors and by film critics as one of Presley's best movies, and it is noted for the apparent on-screen attraction between Mr. Presley and Ms. Ann-Margret. It also presents a strong set of ten musical "song-and-dance scenes", and a reasonably-interesting story.

A rare recording of the song as a duet by Elvis and his lovely Swedish co-star Ann-Margret was not released until 2002, over 38 years after it was actually recorded!

Ann-Margret was the only female co-star to ever get "equal billing" with Elvis in the MGM movie released in 1964.

The music is based on the classical "Liebesträume" (1850) by the Hungarian composer for the piano Franz Liszt (1811-1886), who was a child prodigy.

Elvis's solo version is a shorter version of the song was used in the movie "Viva Las Vegas" (1964).

But the very rare version with gorgeous Ann-Margret singing too can be seen at:

 



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Ann-Margret and Elvis
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Some information from the Web about lovely Ann-Margret:

Film clip in "Bye Bye Birdie" (a skit on Elvis being drafted into the US Army in 1958).



http://www.bellaonline.com/articles/art7717.asp

Ann-Margret and The King

Swedish-born entertainer Ann-Margret's break-out performance was as Kim in the film adaptation of the musical Bye Bye Birdie (1963). It was the number one grossing film at the time and Ann-Margret appeared on a number of magazines including Life. It was in one fan magazine which quoted her as saying, I want to be the female Elvis. It only helped her case when Ann-Margret recorded her version of Heartbreak Hotel." Soon, Ann-Margret was synonymously referred to as the female Elvis because of her entertaining abilities and the sex kitten for her beautiful red hair and other physical endowments.

In 1963, the sex kitten and the King of Rock N Roll first met on the MGM soundstage just before the production of Viva Las Vegas -- the film they would make together. Shortly afterwards, Elvis began sending Ann-Margret flowered arrangements in the shape of a guitar. During the production of Viva Las Vegas, the fan magazines went wild with a proposed off-screen romance between the two, some of the sources reporting a possible marriage.

When Viva Las Vegas (1964) wrapped up production, the rumours began to die down but the unmistakable chemistry and passion which once existed between the two megastars of the entertainment world would live forever in celluloid. No one knew why Ann-Margret and Elvis Presley were no longer a couple. Through the years it was believed that Elvis's infamous manager Colonel Parker did not like the relationship and eventually coerced Elvis to end it.

However, no matter how they broke up, their close relationship lasted for fourteen years until Elvis's untimely death in 1977. Through those years, Elvis continued sending Ann-Margret her guitar-shaped flowered arrangements every time she opened in Las Vegas. Elvis even risked his mob of fans to see a few of her shows over the years. When Elvis's funeral was held at Graceland, rumors perpetuated on who would attend with a long list of celebrities who ended up not showing up at all. Instead, only three celebrities attended including Ann-Margret, who was also Presley's only co-star to attend the funeral.

In 1994, Ann-Margret published an autobiography titled Ann-Margret: My Story. In the book, she described her love and devotion to Elvis in how they met, how each of them connected to music and how they felt it was a meeting of souls. But she was clever in not to get carried away with too much detail and wanted to keep true to her word to never betray Elvis or his image.

At sixty-eight years old, Ann-Margret continues to have an active career. Some of her most notable appearances in the past have been as "Ariel" in the "Grumpy Old Men" franchise in which she co-starred opposite Jack Lemmon and Walter Mathau. Most recently, she has appeared in "The Break Up" (2006) and "All's Faire In Love" (2009).
..................................................

Also, an extract from the Web:

http://en.wikipedia.org/wiki/Ann-Margret

"Her next starring role, as the all-American teenager Kim from Sweet Apple, Ohio, in Bye Bye Birdie (1963) made her a major star. The premiere at Radio City Music Hall, 16 years after her first visit to the famed theater, was a smash hit the highest first-week grossing film to date at that theater. Life magazine put her on the cover for the second time and announced that the "torrid dancing almost replaces the central heating in the theater".[9] She was asked to sing "Baby, Won't You Please Come Home" at President John F. Kennedy's private birthday party at the Waldorf-Astoria, one year after Marilyn Monroe's famous "Happy Birthday".[10]

Ann-Margret met Elvis Presley on the MGM soundstage when the two filmed Viva Las Vegas (1964).



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Moderator

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Date:
Remember me
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Lea_De_Mae_5.JPG
Photo made by Chris Danneffel, who gave much support to Lea in the weeks before her death

 



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Member

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RE: Remember me!
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Now it is 6 years that you have left us!

Now you are a new star shining in the sky!

You will always be remembered!

Rest In Peace Lea De Mae

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Guru

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Date:
Gone Too Soon - the Sixth Anniversary.
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How attractive Lea looks here. There are a few photos taken around this time on the Web.

Lea was also very lovely in the Prague 2003 photos that Chris Danneffel took when her hair was very fair.

I also like Lea with kind of auburn hair combed tightly in one of her videos. Then there's the very glamorous make-up pictures taken at the time of the Hustler photoshoot.

It seems that Lea had many looks!



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Guru

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Date:
Birthday anniversary today
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Today, it's Lea's birthday anniversary - born on 26th December 1976.

Lea sleeps now.



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RE: Remember me!
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Today it would be the 34 birthday of Lea De Mae!

Now it is more than 6 years that she had gone!

Now she is an Angel and a new Star shining from the Sky!

Rest in Peace Lea De Mae

You will always be remembered

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Guru

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Date:
That's Someone You Never Forget
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A note about the song from the Web:


"That's An Album You Never Forget" [POT LUCK]


The highlight of this album for me is the song that Elvis himself wrote, "That's Someone You Never Forget", which originally closed the LP version from 1962. Elvis came up with the song title and the idea for the song, which was about the death of his mother Gladys Love Presley in 1958. Elvis co-wrote the song with Red West. Elvis is in a zone on this song. His singing was at its best level in this period of his career. During this period Elvis was pushing his voice to the limit, attempting operatic material.


But the song "That's Someone You Never Forget" is great because it is so subtle and understated. In my opinion, it is perhaps Elvis' greatest vocal performance ever, right up there with his performances of "Crying in the Chapel", "Surrender", "It's Now or Never", "Angel", or even "Can't Help Falling in Love". This is Elvis at his absolute best.


Pot Luck with Elvis




Elvis sings with photos of his beloved mother who died when Elvis was in the US Army doing his national service during 1958 - 1960 (part of which time was in Germany).



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Guru

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Date:
You're Dangerous - and lovely Dorothy Lamour
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The song was sung by Bing Crosby in December 1940.   

 

"You're Dangerous" can be heard in the movie "Road To Zanzibar" (Paramount 1941) sung by lovely Dorothy Lamour. 

dotlam.jpg

"The Sarong Girl"

 


Dorothy Lamour (1914-1996)

(from the Web) - Lamour's heyday was during the 1930s-40s when she became famous as the Sarong Girl appearing in several jungle films and as the straight sidekick and love interest in the Road to ---- movies with Bing Crosby and Bob Hope. She also appeared in some notable more serious films.

 images?q=tbn:ANd9GcRv6e4Kp5eIdPKjy3LWF0HmUUwKvZbwwe2xfEPOCRD6_7WuVK4jimages?q=tbn:ANd9GcScFhs2o2bE-Av9N03GI8VC-DF_iGgY43OHSDr9c1SeUFDdwnKh

with Bing Crosby & Bob Hope.

 

For some beautiful pictures of Dorothy Lamour, please see the tribute below from the Web:

 


 



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Date:
"Personality" (from the soundtrack of the film "Road to Utopia"
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Bing and Bob Hope's glamorous co-star from the "Road" pictures Dorothy Lamour - here's a great song "Personality" from Dorothy from the movie "Road to Utopia" (filmed in 1943 but released in 1946).

The wonderful film clip of shapely Dorothy used to be on the Web.  

Here is the soundtrack recording:



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"Sweet is the Word for You"
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SweetistheWordfor You copy.jpg

Here's our sweet and gorgeous Lea again!

This catchy song "Sweet is the Word for You" was featured in Bing Crosby's black/white movie "Waikiki Wedding" (Paramount 1937).  The song was composed by Leo Robin and Ralph Rainger, who also wrote "Blue Hawaii" for the movie. 

Yes  - the same song that gave Elvis Presley his biggest selling movie "Blue Hawaii" in 1961. Elvis Presley's remake of the title song did justice to the song, while also introducing it to an audience too young to know about Bing's original hit version.

From the Web:

The more I see Bing Crosby's undervalued Paramount musicals, the more he is becoming one of my favorite musical stars of all time. Except for the tedious 1933 musical "Going Hollywood", I was impressed by all of Bing's works and his sweet, aching crooning.

"Waikiki Wedding", sumptuously set in Hawaii, is one of Bing's best efforts, featuring such remarkable and beguiling tunes as "Blue Hawaii", "Sweet Leilani", "Sweet Is the Word for You", and "Nani Ona Pua".

Although I enjoyed "Blue Hawaii" as the best sounding song in the movie, the Oscar-winning "Sweet Leilani" is really my favorite after repeated viewings.

Bing plays a publicity agent Tony Marvin working for a pineapple company taking part in a native wedding feast and becomes involved in a scheme to escort a beauty contest winner, played by Shirley Ross. Ms. Ross has a nice, appealing presence and does a very good job playing Bing's love interest and the "Miss Pineapple Queen" winner on her trip to Hawaii.

I also enjoyed George Barbier, Martha Raye, Bob Burns, and an interesting early appearance by Anthony Quinn as one of the Hawaiian natives.

Frank Tuttle's direction gets a little slack in the second half, but the music and Bing's timeless singing are all you need to enjoy "Waikiki Wedding".

The film is best remembered for the song Sweet Leilani with words and music by Harry Owens, which won the Oscar for Best Song in 1937.

  

In 1937, Hawaii was a strategic American military base, a popular tourist destination for wealthy Americans, and the pineapple capitol of the world.

Hawaii was not a state, but a territory. The most significant differences being that the agriculture industry was not required to pay the same tariffs as the mainland plantations, nor were they obligated to uphold the same labor laws. The sugarcane industry prospered under this situation and wielded considerable political clout. Second to sugarcane, was pineapple. Dole pineapple, which produced 75% of the world's pineapple, was clearly the model for the "Imperial Pineapple Co." in this movie.

There was an attempt in 1937 by Congress to grant statehood to Hawaii, but it failed over issues of race as Hawaii would be the only state with a non-white majority. If this attitude was prevalent at the time, it's not apparent in the movie; the Hawaiian culture is portrayed respectfully. Plenty of dialogue and song lyrics are in the native language without subtitles, and the Hawaiian roles are played by native actors (or at least non-white actors). I don't know if Bing had a hand in ensuring that the Hawaiians were depicted with dignity, but it wouldn't surprise me. He had been insistent on the casting and prominent billing of Louis Armstrong in the previous year's Pennies From Heaven, the first time a white and black actor shared top billing on a major film.

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Guru

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Date:
"A Boy Like Me, A Girl Like You"
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"A Boy Like Me - A Girl Like You

A pretty song from the 1962 movie "Girls! Girls! Girls!" (Paramount) composed by Sid Tepper and Roy C Bennett.  This songwriting team also composed "New Orleans" for "King Creole" (1958), several songs for "Blue Hawaii" (1961) and "Angel" for "Follow That Dream" (1961) amongst other Elvis movie songs.

"Girls! Girls! Girls! is the movie that introduced the UK No.1 hit record "Return To Sender" sung by Elvis and composed by Winfield Scott and Otis Blackwell.

NB. On January 8, 1993, the U.S. Postal Service issued a commemorative postage stamp honouring Elvis Presley. Many stamp collectors mailed envelopes, franked with this stamp, to fictitious addresses in the hopes that they would receive their letters not only postmarked with the first day of issue, but also with a "return to sender" postal marking.

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Here is an outtake of Elvis's Hollywood recording session on 27th March 1962 of the song in the wallpaper:-



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Guru

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Date:
"So Do I" and "Goodnight Sweetheart"
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SoDoI.Xat.jpg

Hear Bing at: Bing sings!

The song performed by Bing Crosby (Music by Arthur Johnston and Lyrics by Johnny Burke) is from Bing's 1936 movie "PENNIES FROM HEAVEN". A very nice Black & White film with Bing in great voice and also featuring a young Louis Armstrong and his jazz band.


PENNIES FROM HEAVEN
(1936)

PenniesFromHeavenPoster.jpg

If you play the above film clips assembly starting from about 3 minutes into the clips to just over 6 minutes, the title song is very nicely sung by Bing to the orphan girl by the shimmering fire. 

And below, is another golden oldie "Goodnight Sweetheart"

GoodnightSweetheart.jpg


"Goodnight Sweetheart"  - This song composed by Ray Noble, Jimmy Campbell & Reg Connelly was performed by several male artists including a fine version by the young Bing Crosby in the early 30's. Bing's wax recording was made in New York on the Brunswick Label on 8th October 1931 with musical accompaniment by Victor Young and his Orchestra. The record was released in December that year in America and in February 1932 in England.


The following verse is also in the song before Bing whistles and also speaks a few lines:


The day is over and its cares and woes
In peaceful sweet repose, will fade and die
A dreamy dreamland beckons you and me
How happy life would be if we could dream forever

Hear Bing's fine performance at:


(and how about that last note from Bing!)

 



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Guru

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"Lovely Lady" and "My Heart and I"
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LovelyLady.jpg

About the song "Lovely Lady"  - dedicated here to the memory of our own lovely Lea.

It was composed by Jimmy McHugh and Ted Koehler and featured in the 1936 film "King of Burlesque". This charming waltz was sung by Bing Crosby in his test recording performed in Los Angeles, USA on 24th March 1936 for Decca. The musical accompaniment is by Victor Young & His Orchestra. The original 78 gramophone record reference is DLA309-A.

Lovely lady, I'm falling madly in love with you
It's a feeling beyond concealing
What can I do?
Take my heart it's yours alone
To keep forever
Lovely lady, I'm falling madly in love with you

MyHeartandI_psd.jpg

Another blue dress photo adorns this wallpaper "My Heart & I".  

The composers of this beautiful song were Leo Robin and Frederick Hollander. The song was recorded by Bing Crosby in Los Angeles on 13th November 1935 with musical accompaniment by Georgie Stoll and his Orchestra. It was written for the film "Anything Goes" (Paramount 1936) starring Bing and Ethel Merman. 

"ANYTHING GOES (Paramount, 1936), directed by Lewis Milestone, a movie musical based on the 1934 Cole Porter Broadway play starring William Gaxton, Ethel Merman and Victor Moore, is given the screen treatment with Bing Crosby and Charlie Ruggles in the Gaxton and Moore roles, and Merman reprising her stage performance." (from the Web).

The song "Anything Goes" (composed by Cole Porter) was later made famous by Frank Sinatra (whose idol was Bing Crosby).   



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